Sail making with young people in Langport…

Last week we were back in Langport for another great session with Langport and Huish Youth Club. We heard some interesting stories of young people’s experiences with the floods, some of them happy memories and some difficult.

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It was good to see the different ways people had found to move around and connect with their families or explore the landscape – from visiting grandparents by tractor, to horse riding in knee-high waters.

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The workshop brought up a lot of ideas. One participant’s immediate reactions was to make an image of deforestation – “because that affects the flooding”.

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Ideas became more complex as the session infolded – we’re looking forward to coming back again for more stories and beautiful images!

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Some:when Sail making workshop

We are pleased to announce the next some:when workshop in which we will be working with recycle materials to transform them into collages. We will be looking at Somerset imaginary and how youth experienced the flooding through this particular method. The compilation of these visual stories will be the sail of our Flatner.

We will keep you updated with future dates which we are working on in these days in which other type of workshops will be taking place, and where we have a closer look to the next step, the boat making.

sail making workshops

Resilience: Just do it?! Governing for resilience in vulnerable places

We presented a paper as part of Resilience: Just do it?! Governing for resilience in vulnerable places in Groningen (Netherlands). This paper’s title is “Socially engaged art practice for a living landscape” in which some:when is the core of its content. By collaborating together, Jethro and I have developed a complex approach to art which is applied and develop in some:when, and articulating it in this paper (and presentation) has given us more learnings and challenges. The abstract of this paper is the following:

Abstract

The changing climate and increasingly frequent extreme weather events have brought a new urgency both to hydrological debate and to questions of social preparedness and resilience (Adger, 2000). The current interest in resilience and community engagement merits a new attention to the creative and experimental methods devised by socially-engaged arts practitioners, during almost a century of critical, innovative engagement with (and in) community settings.

We identify two distinct registers at which resilience and socially engaged art intersect. Firstly, creative practice and engagement with the unfamiliar offer new skills and expanded frames of reference, to support increased resourcefulness and adaptability. Secondly, through building meaningful relations across perceived boundaries, artists offer routes to both greater cohesion and critical engagement, thus addressing wider questions of power, equality and visibility, that can be seen as key factors in the resilience of particular communities in responding to extreme weather events.

This paper reviews the current collaborative practices of two socially- and hydrologically- engaged artists, asking how critical frameworks can be applied to support these concerns, in working with flood-affected communities in South West England. Artists Jethro Brice and Seila Fernandez Arconada reflect on some of the historical and contemporary models which inform and guide their practice.

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Thanks to the all participants, speakers and in special to the organisers, the Coastal Resilience Research Group at the University of Groningen.

 

 

Conference about the River Parret, UK-Dutch exchange.

On the Tuesday 7th of October, Somerset Levels and Moors was the context for the first session of the Dutch-UK exchange conference organised by Aquae/ Aqua-δ BV & Fidai PROFLO, Nijmegen & London in which some:when project was presented. Conversations around Somerset flooding are happening and some:when is part of it. This project aims to be part of this current discourse as this project essence is collaborating with other participants and experts both local and international in order to make it happening. The complexities of Somerset Levels and Moors as a landscape, its particular relationship with the tide, the special weather pattern, etc. makes the research of this project more profound and exciting.

During this conference, different perspectives about the flooding were presented opening up new ways of understanding the relationship between water, human being and landscape.

Thanks to all speakers and organisers, specially to Dr. Marnix de Vriend.

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Prof. Dr. Toine Smits

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Prof. Dr. Steve Pooles

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Langport Mummers

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Drs. Marnix de Vriend

Some:when workshops

During the last few weeks, Some:when has been the core of our work both by learning for and from it. Some:when workshops during Somerset Arts Weeks was a fascinating experience, thanks to everyone who came.

The sail of the Flatner is already started! A number of participants both young and adults looked at their experiences of the flooding by locating themselves in the relationship between human being, land and water in the Somerset Levels and Moors. During the process of converting the plastic bags into the sail patchworks, many ideas and interesting conversations happened. Some ideas about how Somerset Levels and Moors could be in the future or representations from memory, were the focus of the participants, a mix of interesting stories where imagination was the key.

In addition, it was very interesting to hear stories about people related with the Flatner personally in one way or another, when memories are still there and some people still remember this boat being around their lives in the past or even knowing people who still have one. We are still in the track to find more information about it, fascinating.

Thanks in special to the Youth Club and Somerset Art Works for such a great support.

Here there are some images of the workshops.

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We will be running some workshops in the short future in order to continue making the sail of the Flatner, keep an eye in our agenda.

Thank you!

Some more encounters on the Levels…

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Last week we made a lightning visit to Langport, where we held a small gathering for some of those interested in getting involved in the project (about which another post will follow!). The following day we met up with the Fidai ProFlo group – an exchange of social and physical scientists, planners and designers from the Netherlands, with artists, historians and local residents affected by floods in Somerset. Rhona Light kindly showed us around her partially-restored house, and shared an insight into the process of flooding and some of the ways this year had been different from the usual annual cycles of wet and dry.Screen shot 2014-09-22 at 13.58.07

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From there we went for lunch at the King Alfred, where Seila and I presented Some:when to the group and some members of the local FLAG group, and discussed possibilities for longer-term collaborations to continue the work Some:when has begun. After a lovely and lively meal we clambered up the steep sides of Burrow Mump to admire the view and listen to a brief presentation from Antony Lyons of NOVA, about his work on deep time perspectives on the Severn Estuary and Somerset Moors and Levels.

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Finally, we paid a quick visit to Anna’s incredible tythe barn, one of the sites for October’s conference. It was a swift goodbye as the Dutch contingent had a train to catch, but we had some really interesting discussions and are really looking forward to resuming the conversation at the conference on the 7th: http://www.aqua-deltamarnix.com/index-uk%20event.html

Somerset Heritage Office, research times.

I recently had the pleasure of spending a day in research at the Somerset Heritage Office in Taunton. Traces of the Flatner are everywhere in the history of the Somerset Levels and Moors and a number of books that I found there were fascinating. Flooding is obviously a complex issue in Somerset, however, the more I know about it the more I feel passionate about this project. It is interesting to note the special relationship of Somerset with water by revisiting history, the culture, the traditions, the landscape – all are based on this particular connection. I have found a number of impressive images of the area around Langport and how this community is well knowledgeable about this.

I would like to thank the staff at the Somerset Heritage Office for being such a helpful and passionate team, for helping out with ideas facilitating ways to find information within their archives.

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Fluid Tense: Exploring watery pasts and futures of St. Werburghs II

Fluid Tense: exploring watery pasts and futures of St. Werburghs with local artists Jethro Brice and Seila Fernández Arconada

This creative, participatory workshop explores the past, present and future waterscapes of St. Werburghs and the surrounding area, each person contributing a small piece to a surprise outdoor spectacle.

This workshop took place in Bristol (UK) the 16th of September 2014 as part of the project HighWaterLine (www.highwaterline.org).

Thanks to all the participants.

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river boats

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“… and I saw a boat appear”

Water, water, every where,
And all the boards did shrink
Water, water, every where,
Nor any drop to drink.

(from the “Rime of the Ancient Mariner”)

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Following the trail of the Somerset Flatner, we discovered a set of plans to build it had been drawn up by enthusiasts at the Watchet Boat Museum. That was  how we ended up in Watchet, looking for the plans, and hoping also to see the real boat. After an interesting journey, getting to know a few more people along the way, we arrived in Watchet – possible birthplace of Coleridge’s Rime of the Ancient Mariner. An interesting small town on the coast which that day was blessed with remarkable and irrational weather…

2:00 pm: the museum opens… and we get to enter this fantastic space packed with floating inspiration, independently created and curated by a passionate and inventive local group, Friends of the Flatner. Bruce, a founding member, kindly met us at the museum and we had our first tantalising glimpse into the world of knowledge the group have accumulated over the years. We begun to realise just how complex the project is – the boat we want to build, the “Flatner” is a whole spectrum of plan variations depending on their functionality, context and owner. A couple of hours’ explanation opened windows and even doors, to look at the making of this fascinating project. Finally able to explore its history in depth, and being able to touch and handle the actual boats, we started to see the boat take shape in our minds’ eyes.

 

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Thank you so much to Bruce, on behalf of the Watchet Boat Museum and The Friends of the Flatner. So much passion in one little shed – so much knowledge to learn from!

 

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